{"id":313,"date":"2013-04-23T12:56:19","date_gmt":"2013-04-23T12:56:19","guid":{"rendered":"http:\/\/ccrac.hoart.cam.ac.uk\/?page_id=313"},"modified":"2020-04-22T17:36:37","modified_gmt":"2020-04-22T16:36:37","slug":"panels-at-international-conferences","status":"publish","type":"page","link":"https:\/\/ccrac.org.uk\/index.php\/past-panels-and-seminars\/panels-at-international-conferences\/","title":{"rendered":"CCRAC Participants at International Conferences and Events"},"content":{"rendered":"

Past Conferences and Events:<\/p>\n

<\/strong>Impressionism in Russia. Dawn of the Avant-Garde<\/strong>
\n14 November 2019, Barberini Museum, Potsdam, Germany<\/strong>
\nRosalind Polly Blakesley (University of Cambridge): ‘Realist Impressions or Impressionist Realities: A Complex Boundary in Russian Art’<\/p>\n

\u0410\u0432\u0430\u043d\u0433\u0430\u0440\u0434 \u0436\u0438\u0437\u043d\u0435\u0441\u0442\u0440\u043e\u0438\u0442\u0435\u043b\u044c\u0441\u0442\u0432\u0430: \u043e\u0442 \u044d\u0441\u0442\u0435\u0442\u0438\u0447\u0435\u0441\u043a\u043e\u0433\u043e \u043f\u0440\u043e\u0435\u043a\u0442\u0430 \u043a \u0441\u043e\u0446\u0438\u0430\u043b\u044c\u043d\u043e\u043c\u0443 \u043f\u0440\u043e\u0440\u044b\u0432\u0443 (The Avant Garde of Life Building: From an Aesthetic Project to a Social Breakthrough)<\/strong>
\n28-30 October 2019, Multimedia Art Museum, Moscow<\/strong>
\nNatalia Murray (The Courtauld Institute of Art): ‘\u0420\u043e\u043b\u044c \u0433\u0430\u0437\u0435\u0442\u044b “\u0418\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u043e \u041a\u043e\u043c\u043c\u0443\u043d\u044b” \u0432 \u0441\u0442\u0430\u043d\u043e\u0432\u043b\u0435\u043d\u0438\u0438 \u043f\u0440\u043e\u043b\u0435\u0442\u0430\u0440\u0441\u043a\u043e\u0433\u043e \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0430’ (The role of the newspaper Art of the Commune in the the Implementation of Proletarian Art)<\/p>\n

Picturing Russian Empire<\/strong>
\n28-30 June 2019, University of Tyumen, Russia<\/strong>
\nRosalind Polly Blakesley (University of Cambridge): \u2018Siberian Roots in an Imperial Space: Vasily Surikov\u2019s Ermak\u2019s Conquest of Siberia\u2019<\/p>\n

Whistler, Nature and Science<\/strong>
\n11 March 2019, Fitzwilliam Museum, Cambridge<\/strong>
\nRosalind Polly Blakesley (University of Cambridge): ‘How Russia Learned to Love Russian Nature \u2013 and Whistler Followed Suit’<\/p>\n

Actual Problems of Theory and History of Art VIII<\/strong>
\n2-6 October 2018, Moscow State University \/ Tretyakov Gallery, Moscow<\/strong>
\nKsenia Pavlenko (Cornell University): \u201cImperial Motivations vs. Social Realities: Helsinki\u2019s Construction in the First Half of the 19th Century\u201d<\/p>\n

One Heart, One Way: The Journey of a Princely Art Collection<\/strong>
\n21-22 September 2018, Georgia Museum of Art, University of Georgia, Athens GA<\/strong>
\nRosalind Polly Blakesley (University of Cambridge): ‘Palettes, Power and Palaces: Women Artists and Patrons at the Russian Court’ (Alfred Heber Holbrook Memorial Lecture)<\/p>\n

The Proletarian Moment: Interdisciplinary Approaches, Comparative Perspectives<\/strong>
\n17-18 August 2018, Zentrum fur Interdisziplinare Forschung, University of Bielefeld, Germany<\/strong>
\nNatalia Murray (The Courtauld Institute of Art): \u2018Narkompros versus Proletkult: Festivals and Proletarian Art after the October Revolution<\/p>\n

Impressionism in the Avant-garde<\/strong>
\n7-8 June 2018, Museum of Impressionism, Moscow<\/strong>
\nNatalia Murray (CCRAC): \u2018Impressionism and Modernity\u2019<\/p>\n

British Association for Slavonic and East European Studies<\/strong>
\n14 April 2018, Fitzwilliam College, Cambridge<\/strong>
\nRosalind Polly Blakesley (University of Cambridge): \u2018British or Russian, Realist or Impressionist? The Curious Case of Emily Shanks,\u2019<\/p>\n

AHNCA 15th Annual Graduate Student Symposium in the History of Nineteenth-Century Art 18 March 2018, Dahesh Museum of Art, New York<\/strong>
\nIsabel Stokholm Romanova (University of Cambridge): \u2018Fathers & Sons? Two Old Peredvizhniki and a New Generation of Russian Artists, 1890-1914\u2019<\/p>\n

Russian Style: In Search of the National Identity, International Jubilee 15th Conference Commemorating Vladimir Vasilenko<\/strong>
\n21-23 November 2017, All-Russian Museum of Decorative Arts, Moscow<\/strong>
\nLouise Hardiman (CCRAC)
\nKsenia Pavlenko (CRRAC): ‘The Eternal Feminine Shimmers: Symbolist Approaches to Mikhail Vrubel’s Ceramics’<\/p>\n

Association for Slavic, East European, and Eurasian Studies Annual Convention (ASEEES)<\/strong>
\n9-12 November 2017, Chicago, IL<\/strong>
\nRosalind Polly Blakesley (University of Cambridge): ‘The First Female Peredvizhnik: Emily Shanks and the Blurred Realist\/Impressionist Divide’<\/p>\n

Translations and Dialogues: The Reception of Russian Art Abroad<\/strong>
\n25-27 October 2017, Universit\u00e0 Ca\u2019 Foscari, Venice, Italy<\/strong>
\nRosalind Polly Blakesley (University of Cambridge): \u2018The First Female Peredvizhnik: the case of Emily Shanks in Russia and Britain\u2019<\/p>\n

La Biennale di Venezia<\/strong>
\n2017 25 October 2017, Venice, Italy<\/strong>
\nNatalia Murray (The Courtauld Institute of Art): Speaker, \u201cArt and Revolution\u201d Symposium<\/p>\n

“Russian Art on the Rise,” 5th Graduate Workshop of the Russian Art and Culture Group<\/strong>
\n21-22 September 2017, Freie Universit\u00e4t, Berlin<\/strong>
\nIsabel Stokholm (University of Cambridge): \u2018Enough blood! Artistic Generations in Late Imperial Russia, 1890-1914\u2019<\/p>\n

“Fantasy in Reality: Architecture, Representation, Reproduction”<\/strong>
\n15-16 June 2017, The Courtauld Institute of Art, Somerset House, London<\/strong>
\nOrganized by Marie Collier (University of Cambridge)
\nMarie Collier (University of Cambridge): ‘The New Moscow in Print: Constructing a Fantasy of Socialist Architecture in Soviet Periodicals’<\/p>\n

“The Russian Canvas,” Russian Book Prize Lecture<\/strong>
\n24 May 2017, Pushkin House, London<\/strong>
\nRosalind Polly Blakesley (University of Cambridge)<\/p>\n

“The Museum after the Revolution”<\/strong>
\n28-29 April 2017, Calvert 22, London<\/strong>
\nNatalia Murray (The Courtauld Institute of Art): \u2018Nikolai Punin and the Hermitage Museum in 1917-1919\u2019<\/p>\n

“An Evening with Friends and Fashion”<\/strong>
\n30 March 2017, Hillwood Museum and Gardens, Washington D.C.<\/strong>
\nRosalind Polly Blakesley (University of Cambridge): ‘The History of Russian Portraiture’<\/p>\n

Cambridge Russian Society<\/strong>
\n13 March 2017<\/strong>
\nRosalind Polly Blakesley (University of Cambridge): ‘Eating Restoration Glue to Stay Alive: The History of the Hermitage,’<\/p>\n

The Russian Century: the Literary, Visual, and Performing Arts, 1801-1917<\/strong>
\n30 September-1 October 2016, Yale University, New Haven, CT<\/strong>
\nRosalind Polly Blakesley (University of Cambridge): \u2018Russia, Rome and the Risky Business of Disaster Painting\u2019<\/p>\n

Printed Media and National Identity in Russia and Great Britain<\/strong>
\nSeptember 2016, Yaroslavl State University, Russia<\/strong>
\nRosalind Polly Blakesley (University of Cambridge): \u2018Journalists in the Studio: the Shifting Identities of Russia\u2019s Painters in Rome’<\/p>\n

The Russian Centre for Science and Culture<\/strong>
\n31 March 2016, London<\/strong>
\nRosalind Polly Blakesley (University of Cambridge): \u2018Russia and the Arts: An Exchange of Portraits Between the National Portrait Gallery and the Tretyakov\u2019<\/p>\n

Association for Slavic, East European, and Eurasian Studies Annual Convention (ASEEES)<\/strong>
\n19-22 November 2015, Philadelphia, PA<\/strong>
\nRosalind Polly Blakesley (University of Cambridge): \u2018Stepan Shevyrev and the Disaster Paintings of Bruni and Briullov\u2019<\/p>\n

College Art Association (CAA), 103rd Annual Conference<\/strong>
\n11-14 February 2015, New York, NY<\/strong>
\n\u2018Reconsidering Art and Politics: Toward New Narratives of Russian and Eastern European Art\u2019<\/em> (sponsored by Society of Historians of Eastern European, Eurasian and Russian Art and Architecture)
\nCo-chairs: Galina Mardilovich (Independent Scholar) and Maria Taroutina (Yale-NUS)<\/p>\n

Association for Slavic, East European, and Eurasian Studies Annual Convention (ASEEES)<\/strong>
\n20-23 November 2014, San Antonio, TX<\/strong>
\n\u2018Prints and the Eighteenth-Century Russian Garden\u2019<\/em>
\nChair: Elizabeth Valkenier (Columbia University)
\nPapers: Margaret Samu (Yeshiva University, Stern College for Women): \u2018Baroque Garden Prints in Petrine Russia\u2019
\nAlexandra Helprin (Columbia University): \u2018Garden Prints and Performances at Kuskovo\u2019
\nGalina Mardilovich (Independent Scholar): \u2018Deserted Cities and Gardens in Anna Ostroumova-Lebedeva’s Woodcuts\u2019
\nDiscussant: Christine Ruane (University of Tulsa)<\/p>\n

Britain and Russia in the Great War: Centenary Reflections<\/strong>
\n19 September 2014, British Library, London<\/strong>
\nNatalia Budanova (CCRAC): \u2018Russian World War I Lubok\u2019<\/p>\n

Crossing Borders: Marianne Werefkin and the Cosmopolitan Women Artists in her Circle<\/strong>
\n11-12 September 2014, Paula Modersohn-Becker Museum, Bremen, Germany<\/strong>
\nGalina Mardilovich (Independent Scholar): \u2018Women as Catalysts for Innovation in Printmaking: The Case of Elizaveta Kruglikova and Anna Ostroumova-Lebedeva\u2019<\/p>\n

College Art Assocation (CAA) 102nd Annual Conference<\/strong>
\n12-15 February 2014, Chicago, IL<\/strong>
\n‘Russian Avant-Garde and the First World War: Culture, Contacts, and Contexts’<\/em>
\nChairs: Maria Kokkori (The Art Institute of Chicago) and Maria Mileeva (The Courtauld Institute of Art)
\nDiscussant: Nina Gourianova (Northwestern University)
\nAaron J. Cohen (California State University, Sacramento): ‘Masters of the Material World: The Russian Art World, the Avant-Garde, and the Experience of World War I, 1914\u20137’
\nMaria Tsantsanoglou (The State Museum of Contemporary Art of Thessaloniki): ‘What Is This \u201cNew Teaching about War\u201d?’
\nNatalia Yrievna Budanova (Courtauld Institute of Art): ‘Penetrating the Men\u2019s Territory: Works of Russian Avant-Garde Women Inspired by the First World War’
\nJames Graham (Columbia University): ‘Total War and Total Peace: Managerialism and Revolution on the Perceptual Front’<\/p>\n

Fitzwilliam Museum Society<\/strong>
\n6 February 2014, University of Cambridge<\/strong>
\nNicola Kozicharow (University of Cambridge): ‘Russian Artists in Emigration, 1914-1939’<\/p>\n

Department of Slavic Languages and Literatures, University of Southern California<\/strong>
\n25 November 2013<\/strong>
\nRosalind Polly Blakesley (University of Cambridge): ‘Painting at a Distance: Russian Artists Abroad from the Age of Catherine the Great’<\/p>\n

Association for Slavic, East European, and Eurasian Studies (ASEEES)<\/strong>
\n21-24 November 2013, Boston<\/strong>
\nVoluntary Associations and the Arts in Imperial Russia<\/em>
\nChair: Elizabeth Kridl Valkenier (Columbia University)
\nRosalind Polly Blakesley (University of Cambridge): \u2018Friend or Foe of the Academic Republic? The Society for the Encouragement of Artists’
\nJohn Olan Norman (Western Michigan University): \u2018The Moscow Society of Lovers of Art (1860-1918): Merchant Patronage and Russian Realist Art\u2019
\nJohn Ellis Bowlt (University of Southern California): \u2018The Society of Free Esthetics, Moscow
\nDiscussant: Margaret Samu (Yeshiva University, Stern College for Women) Constructing Marxist Narratives: Soviet Art and its Institutions in the 1920s and 1930s<\/em>
\nChair: Galina Mardilovich (Independent Researcher)
\nDiscussant: Nina Gourianova (Northwestern University)
\nMaria Kokkori (The Art Institute of Chicago): ‘The New Soviet Museum: Reform and Experimental Marxist Exhibitions’
\nMaria Mileeva (Courtauld Institute of Art): ‘Soviet Art History: Historical Narratives in the Making’
\nAngelina Lucento (Northwestern University): ‘Interrupting Heroic Realism: The Role of the Society of Easel Painters’
\nHistorical-Materialist Philosophy in the Evolution of Early Soviet Art’ Art at a Crossroads: A Reconsideration of the 1890s in Russian Visual Culture<\/em>
\nChair: Molly Brunson (Yale University)
\nDiscussant: Rosalind Polly Blakesley (University of Cambridge)
\nMaria Taroutina (Yale University): ‘Revolutionary Objects: Vrubel\u2019s Decorative Art and the Search for Modernism’
\nGalina Mardilovich (Independent Researcher): ‘Dictionaries and Journals: Nikolai Sobko as Historian, Advocate, and Editor of Russian Art’
\nLouise Hardiman (University of Cambridge): ‘Tenisheva\u2019s Nemesis: Revisiting the Arts and Crafts Legacy of Aleksandra Pogosskaia’<\/p>\n

Network Beaux-Arts: Going Global Avant-Gardes, Academies, Revolutions, 1900-2013<\/strong>
\n6-8 November 2013, \u00c9cole Nationale Sup\u00e9rieure Soci\u00e9t\u00e9s Contemporaines des Beaux Arts, Paris<\/strong>
\nNatalia Murray (The Courtauld Institute of Art): ‘The Imperial Academy of Arts (Petrograd) and its Bizarre Experiment in Proletarian Art’<\/p>\n

Afterlives of (Soviet) Constructivism<\/strong>
\n10-12 May 2013, Princeton University, NJ<\/strong>
\nMaria Kokkori (The Art Institute of Chicago): ‘The Penguin Pool and other buildings: Berthold Romanovich Lubetkin, an \u00e9migr\u00e9 constructivist in Britain’<\/p>\n

Association of Art Historians (AAH)<\/strong>
\n13 April 2013, University of Reading<\/strong>
\nNatalia Murray (The Courtauld Institute of Art): ‘Art and Civic Spectacle in Russia – first state sponsored festivities in Petrograd’<\/p>\n

Exhibition-Symposium: Floating Worlds and Future Cities: Lazar Khidekel, Suprematism, and the Russian Avant-Garde<\/strong>
\nApril 2013, YIVO Institute for Jewish Research, New York<\/strong>
\nMaria Kokkori (The Art Institute of Chicago): ‘Teaching Suprematism: Kazimir Malevich and Lazar Khidekel at the Vitebsk art school’<\/p>\n

British Association for Slavonic and East European Studies (BASEES)<\/strong>
\n5 to 8 April 2013, Fitzwilliam College, Cambridge<\/strong>
\n\u2018Encounters with the West in Imperial Russian Portraiture\u2019<\/em>
\nChair: Susan Larsen (University of Cambridge)
\nPapers: Rosalind Polly Blakesley (University of Cambridge): \u2018Levitskii, Borovikovskii, and Anglo-Russian Exchange\u2019
\nEmma Minns (University of Reading): \u2018European Romanticism and the image of a Russian poet: portraits of Aleksandr Pushkin\u2019
\nGalina Mardilovich (University of Cambridge): \u2018Get in my Dictionary\u2019: Dmitri Rovinskii\u2019s and Aleksandr Vasil\u2019chikov\u2019s Catalogues of Russian Engraved Portraits\u2019
\n\u2018On the Spiritual in Russian Art\u2019<\/em>
\nChair: Galina Mardilovich (University of Cambridge)
\nPapers: Sebastian Borkhardt (University of T\u00fcbingen): \u2018Russian Messiah\u201d: On the Spiritual in the Reception of Vasilii Kandinskii\u2019s Art in Germany, c. 1910-1937\u2019
\nNicola Kozicharow (University of Cambridge): \u2018Dmitrii Stelletskii’s Frescoes at Saint-Serge and the Russian Orthodox Church Abroad\u2019<\/p>\n

Women in Russian Art: New Prospects for Feminist Practice<\/strong>
\n21 February 2013, Pushkin House, London, European Bank for Reconstruction and Development (EBRD)<\/strong>
\nRosalind Polly Blakesley (University of Cambridge)
\nNatalia Budanova (The Courtauld Institute of Art)<\/p>\n

International Pre-Raphaelitism Workshop<\/strong>
\n11 January 2013, Paul Mellon Centre for Studies in British Art, London<\/strong>
\nRosalind Polly Blakesley (University of Cambridge): ‘The Pre-Raphaelites in Russia’<\/p>\n

Association for Slavic, East European, and Eurasian Studies (ASEEES)<\/strong>
\n15-18 November 2012, New Orleans<\/strong>
\n‘Art, Music and Ballet in Late Imperial Russian and Soviet Culture’<\/em>
\nAlla Generalow (University of Arizona): ‘The Cathedral Choir and Charles R. Crane: Russian Orthodox Singing in America, 1911-1919
\nNicola Kozicharow (University of Cambridge): ‘”Here is the living, true Lenin!”: Filipp Maliavin’s Drawings of Lenin’
\nChair: Karla Huebner (Wright State University)
\nDiscussant: Nina Gourianova (Northwestern University)
\n\u2018Out of Bounds: Russian Artists in Paris during the Long Nineteenth Century\u2019<\/em>
\nChair: Kristin M Harkness (West Virginia University and University of Pittsburgh)
\nJohn O. Normal (Western Michigan University): \u2018The Society for Mutual Aid and Assistance to Russian Artists in Paris (1877-1917)\u2019
\nGalina Mardilovich (Metropolitan Museum of Art): \u2018From Wood Engraving to Etching: Vasilii Mate\u2019s Discovery of Printmaking in Paris\u2019
\nAnna Winestein (Ballets Russes Cultural Partnership): \u2018Keeping the Faith: Dmitry Stelletsky\u2019s Interpretations of Icon Traditions\u2019
\nDiscussant: Margaret Samu (Yeshiva University, Stern College for Women)<\/p>\n

Icons to Insurgence: The Story of Russian Art (Lecture Series)<\/strong>
\nAutumn 2012, Dulwich Picture Gallery, London<\/strong>
\nRosalind Polly Blakesley (University of Cambridge): ‘Complicated Dialogues: Russian Painting and the West in the 18th Century’, 17 October
\nJohn Milner (The Courtauld Institute of Art): ‘Dandies, Primitives and Commissars’, 31 October<\/p>\n

Modern European History Research Seminar<\/strong>
\nMichaelmas Term 2012, University of Cambridge, Faculty of History<\/strong>
\nRosalind Polly Blakesley (University of Cambridge): ‘Ladies-in-Waiting in Waiting: the Portrayal of Adolescence in Eighteenth-Century Russia’, 23 October<\/p>\n

Association for Slavic, East European, and Eurasian Studies (ASEEES)<\/strong>
\n17-20 November 2011, Washington, D.C.<\/strong>
\n‘Art Authorities: Patronage, Orthodoxy, and Art Institutions in Eighteenth and Early Nineteenth-Century Russia’<\/em>
\nChair: Elizabeth Valkenier (Columbia University)
\nTatiana Senkevitch (Cornell University): ‘Frivolity in the Convent: Elizabeth of Russia and her Architect’
\nRosalind Polly Blakesley (University of Cambridge): ‘Taking Painting from the Metropolis to the Margins: Russia\u2019s Early Provincial Art Schools’
\nMargaret Samu (Yeshiva University, Stern College for Women): ‘Church, Tsar, and Censor: Official Response to \u2018Pictures of Immoral Content\u2019
\nDiscussant: Richard Wortman (Columbia University)<\/p>\n

Ten Years of Russian Art in Search of Identity Lecture Series<\/strong>
\n9 November 2011, Pushkin House, London<\/strong>
\nRosalind Polly Blakesley (University of Cambridge): ‘Painting St Petersburg. The Birth of a National School of Art’<\/p>\n

The Fifth Fitzwilliam Colloquium: British Perception and Reception of Russian Culture, 18th-20th centuries<\/strong>
\n31 August-2 September 2011, Fitzwilliam College, University of Cambridge<\/strong>
\nRosalind Polly Blakesley (University of Cambridge): \u2018\u201cA just foundation for future eminence of fame\u201d: Early British Responses to the Imperial Academy of Arts\u2019
\nLouise Hardiman (University of Cambridge), \u2018\u201cInfantine smudges of paint, infantine rudeness of soul\u201d: British Reception of Russian Art at the Exhibitions of the Allied Artists Association, 1908-11\u2019
\nNicola Kozicharow (University of Cambridge), \u2018\u201cRacy of the soil\u201d: Filipp Maliavin\u2019s London Exhibition of 1935\u2019<\/p>\n

Association of Art Historians (AAH)<\/strong>
\n31 March to 2 April 2011, University of Warwick<\/strong>
\n\u2018Margins and Peripheries: Painting outside the Cities of Eastern and Northern Europe’
\nConvenor: Rosalind Polly Blakesley (University of Cambridge)
\nRosalind Polly Blakesley (University of Cambridge): \u2018The Long Arm of the Academy in Imperial Russia\u2019
\nMarta Filipov\u00e1 (University of Wolverhampton): \u2018Beyond modernity: Jo\u017ea Uprka between the city and the countryside\u2019
\nTutta Palin (Academy of Finland): \u2018Ingrid Ruin\u2019s Fantasized Ethnicities\u2019<\/p>\n

Bettman Lecture Series<\/strong>
\n28 March 2011, Columbia University, New York<\/strong>
\nRosalind Polly Blakesley (University of Cambridge): ‘Ladies-in-Waiting in Waiting: the Portraiture of Adolescence in Eighteenth-Century Russia’<\/p>\n

Art in Russia, 1770-1920 : A Symposium at Yale<\/strong>
\n24-25 March 2011, Yale University, New Haven, CT<\/strong>
\nRosalind Polly Blakesley (University of Cambridge): ‘Picturing Adolescence in Imperial Russia: Dmitry Levitsky’s Smolny Portraits, 1772-1776’ (Keynote Address)<\/p>\n

Wallace Collection<\/strong>
\n12 January 2011, London<\/strong>
\nRosalind Polly Blakesley (University of Cambridge): ‘The Arts and Crafts Interior from Britain to Russia’<\/p>\n","protected":false},"excerpt":{"rendered":"

Past Conferences and Events: Impressionism in Russia. Dawn of the Avant-Garde 14 November 2019, Barberini Museum, Potsdam, Germany Rosalind Polly Blakesley (University of Cambridge): ‘Realist Impressions or Impressionist Realities: A Complex Boundary in Russian Art’ \u0410\u0432\u0430\u043d\u0433\u0430\u0440\u0434 \u0436\u0438\u0437\u043d\u0435\u0441\u0442\u0440\u043e\u0438\u0442\u0435\u043b\u044c\u0441\u0442\u0432\u0430: \u043e\u0442 \u044d\u0441\u0442\u0435\u0442\u0438\u0447\u0435\u0441\u043a\u043e\u0433\u043e \u043f\u0440\u043e\u0435\u043a\u0442\u0430 \u043a \u0441\u043e\u0446\u0438\u0430\u043b\u044c\u043d\u043e\u043c\u0443 \u043f\u0440\u043e\u0440\u044b\u0432\u0443 (The Avant Garde of Life Building: From an Aesthetic Project to a…<\/p>\n

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Dawn of the Avant-Garde 14 November 2019, Barberini Museum, Potsdam, Germany Rosalind Polly Blakesley (University of Cambridge): ‘Realist Impressions or Impressionist Realities: A Complex Boundary in Russian Art’ \u0410\u0432\u0430\u043d\u0433\u0430\u0440\u0434 \u0436\u0438\u0437\u043d\u0435\u0441\u0442\u0440\u043e\u0438\u0442\u0435\u043b\u044c\u0441\u0442\u0432\u0430: \u043e\u0442 \u044d\u0441\u0442\u0435\u0442\u0438\u0447\u0435\u0441\u043a\u043e\u0433\u043e \u043f\u0440\u043e\u0435\u043a\u0442\u0430 \u043a \u0441\u043e\u0446\u0438\u0430\u043b\u044c\u043d\u043e\u043c\u0443 \u043f\u0440\u043e\u0440\u044b\u0432\u0443 (The Avant Garde of Life Building: From an Aesthetic Project to a…View →","og_url":"https:\/\/ccrac.org.uk\/index.php\/past-panels-and-seminars\/panels-at-international-conferences\/","og_site_name":"Cambridge Courtauld Russian Art Centre","article_modified_time":"2020-04-22T16:36:37+00:00","twitter_card":"summary_large_image","twitter_misc":{"Est. reading time":"11 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/ccrac.org.uk\/index.php\/past-panels-and-seminars\/panels-at-international-conferences\/","url":"https:\/\/ccrac.org.uk\/index.php\/past-panels-and-seminars\/panels-at-international-conferences\/","name":"CCRAC Participants at International Conferences and Events - Cambridge Courtauld Russian Art Centre","isPartOf":{"@id":"https:\/\/ccrac.org.uk\/#website"},"datePublished":"2013-04-23T12:56:19+00:00","dateModified":"2020-04-22T16:36:37+00:00","breadcrumb":{"@id":"https:\/\/ccrac.org.uk\/index.php\/past-panels-and-seminars\/panels-at-international-conferences\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/ccrac.org.uk\/index.php\/past-panels-and-seminars\/panels-at-international-conferences\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/ccrac.org.uk\/index.php\/past-panels-and-seminars\/panels-at-international-conferences\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Past Seminars","item":"https:\/\/ccrac.org.uk\/index.php\/past-panels-and-seminars\/"},{"@type":"ListItem","position":2,"name":"CCRAC Participants at International Conferences and Events"}]},{"@type":"WebSite","@id":"https:\/\/ccrac.org.uk\/#website","url":"https:\/\/ccrac.org.uk\/","name":"Cambridge Courtauld Russian Art Centre","description":"","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/ccrac.org.uk\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"}]}},"_links":{"self":[{"href":"https:\/\/ccrac.org.uk\/index.php\/wp-json\/wp\/v2\/pages\/313","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ccrac.org.uk\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ccrac.org.uk\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ccrac.org.uk\/index.php\/wp-json\/wp\/v2\/users\/199"}],"replies":[{"embeddable":true,"href":"https:\/\/ccrac.org.uk\/index.php\/wp-json\/wp\/v2\/comments?post=313"}],"version-history":[{"count":0,"href":"https:\/\/ccrac.org.uk\/index.php\/wp-json\/wp\/v2\/pages\/313\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/ccrac.org.uk\/index.php\/wp-json\/wp\/v2\/pages\/287"}],"wp:attachment":[{"href":"https:\/\/ccrac.org.uk\/index.php\/wp-json\/wp\/v2\/media?parent=313"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ccrac.org.uk\/index.php\/wp-json\/wp\/v2\/categories?post=313"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}