{"id":859,"date":"2015-05-21T13:01:24","date_gmt":"2015-05-21T13:01:24","guid":{"rendered":"http:\/\/ccrac.hoart.cam.ac.uk\/?page_id=859"},"modified":"2015-05-21T13:01:24","modified_gmt":"2015-05-21T13:01:24","slug":"dap-and-russian-art-now","status":"publish","type":"page","link":"https:\/\/ccrac.org.uk\/index.php\/dap-and-russian-art-now\/","title":{"rendered":"DAP and Russian Art Now"},"content":{"rendered":"

Friday, 15 May 2015
\n18.00, Kenneth Clark Lecture Theatre<\/p>\n

\"poem<\/strong>
\nPublic art installation of one of Dmitry Prigov\u2019s concrete poems from the 1970s in the district of Belyaevo, Moscow, 2014.<\/p>\n

Speaker(s):<\/strong>\u00a0Antonio Geusa (independent curator and author of the History of Russian Video Art vols. 1, 2, 3) and Dmitry Ozerkov\u00a0<\/strong>(curator of the Hermitage 20\/21 Project), moderated by Elizaveta Butakova (The Courtauld Institute of Art)<\/p>\n

Ticket\/entry details:<\/strong>\u00a0Open to all, free admission<\/p>\n

Organised by:<\/strong>\u00a0Elizaveta Butakova and Dr Maria Mileeva in conjunction with The Prigov Foundation and the Cambridge Courtauld Russian Art Centre (CCRAC). Sponsored by The Prigov Foundation and The Courtauld Institute of Art Research Forum.
\n
\n<\/strong>Bringing together two key figures in the study and display of contemporary Russian art, this evening of short lectures followed by a panel discussion will pick up the thread following the recent major retrospective \u2018From the Renaissance to Conceptualism and Beyond\u2019 at the State Tretyakov Gallery, Moscow to examine the profound impact of Dmitry Alexandrovich Prigov (DAP) on contemporary art in Russia.<\/p>\n

How did Prigov\u2019s work as a poet, performer and new media artist shape the post-modern context in the late Soviet period? Can we trace the legacy of his position as a dissident commentator today in the practice of activist groups such as Voina, and young artists\u2019 relationship to the post-Soviet?<\/p>\n

Antonio Geusa<\/strong>\u00a0is a curator, art critic and leading expert in Russian new media art. He is the author of the three-volume catalogue\u00a0The History of Russian Video Art<\/em>\u00a0and since 2012 is Head of Educational Programmes at the National Centre for Contemporary Art, Moscow. His recent curatorial projects include Lost in Translation at the 55th Venice Biennale (in collaboration with MMOMA Moscow, Ca Foscari Esposizioni, Venice)
\n
\nDmitry Ozerkov<\/strong>\u00a0is Director of the 20\/21 Project at the State Hermitage Museum, St Petersburg and has been responsible for bringing leading international contemporary art to the museum, including collaborating on 2014\u2019s Manifesta 10. He has published widely on such diverse subjects as Eros and 18th Century French art, Anthony Gormley and the Chapman brothers. In 2012, he oversaw the opening of a permanent Prigov installation in the new wing of the Hermitage.<\/p>\n

For more information, please go\u00a0here<\/a>.<\/p>\n

\"\"<\/a><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Friday, 15 May 2015 18.00, Kenneth Clark Lecture Theatre Public art installation of one of Dmitry Prigov\u2019s concrete poems from the 1970s in the district of Belyaevo, Moscow, 2014. Speaker(s):\u00a0Antonio Geusa (independent curator and author of the History of Russian Video Art vols. 1, 2, 3) and Dmitry Ozerkov\u00a0(curator of the Hermitage 20\/21 Project), moderated…<\/p>\n

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